Category: Amp builds

  • 2014 Monkeymatic Diablo Reverb

    2014 Monkeymatic Diablo Reverb

    Fifteen watts, all tube head with Hammond steel cage. 10″w x 10″d x 9″h. Transformers and two 12″ AlNiCo speakers from 1960s vintage Hammond organ. Solid pine, dovetail jointed speaker cabinet. 5R4GY, 3x 12ax7, 12au7, 2x el84. Tube-driven spring reverb. Princeton Treble/Bass tone stack. Custom vinyl cover.

  • 2014 Monkeymatic Twenty TYBA

    2014 Monkeymatic Twenty TYBA

    A 20-watt, cathode biased, all-tube head based on the Traynor YBA2, with a Fender Princeton Treble/Bass tone stack.

    List price: $1200 SOLD

      1991 Fender American Stratocaster > Monkeymatic Twenty TYBA > Shure SM57 > MOTU 828mk3 > no effects, no compression > MP3 at 192kbps

      2004 Gibson ’61 SG reissue > Monkeymatic Twenty TYBA > Shure SM57 > MOTU 828mk3 > no effects, no compression > MP3 at 192kbps
  • 2014 Monkeymatic Shasta

    2014 Monkeymatic Shasta

    My “Master’s Thesis” amp. A 15-watt, solid pine combo based on Fender’s Princeton Reverb, with 12″ Celestion Blue.

  • 2013 Monkeymatic Ace Tone

    2013 Monkeymatic Ace Tone

    This quirky combo began life as a Japanese import, using odd valves and underpowered transformers. I stripped it down, leaving only the cabinet, the chassis, and its attractive faceplate and logo.

    I built a simplified AA964 (Fender Princeton) circuit, with new transformers and a custom layout to fit the chassis. It has a single channel with Volume, Treble and Bass tone controls, a deep and rich bias-vary tremolo, and a V1a cathode bypass switch for a gain boost (the “LEAD SIDE / BASE” switch). I fitted a 12″ Celestion G12P-80 8 ohm speaker.

    Two 12ax7 preamp tubes and a pair of 6V6 output tubes produce 17 watts of clean power, and closer to 25 watts when pushed.

    Dimensions: 17.75w x 22.25h x 8.5d inches, 32 pounds

  • 2013 Monkeymatic Element 79 #1

    2013 Monkeymatic Element 79 #1

    This 18-watt head is based on Trace Elliott’s GA-15, which, despite appearances and the explicit moniker, “Goldtone,” bears no resemblence to Gibson’s vintage GA-15. My version is called Element 79, the atomic number for gold. It features a Fender style tone stack and blackface sound.

    Master volume added to rear panel, making great crunch and medium gain sounds available at any volume.

    Dimensions: 20.5w x 10.5h x 10d inches, 22 pounds

      • 1992 Fender American Telecaster > Monkeymatic Element 79 > Shure SM57 > MOTU 828mk3 > no effects, no compression > MP3 at 192kbps

    First section, until 2:20, recorded with master volume down near zero–overall volume level is a bit louder than normal conversation. Second section, after 2:20, recorded with master at about 3, which is loud enough to rattle windows.

  • 2013 Monkeymatic Fiddy V3

    2013 Monkeymatic Fiddy V3

    A tribute to 1970s Marshall superiority! “Plexi” style “1987” circuit with vintage 100 watt Drake power transformer. Puts out up to 45 watts of clean power, and just gets louder from there as you crank up the gain on the Bright and Normal channels (internally jumpered for easy mixing).

    Dimensions: 26w x 9.75h x 8.25d inches, 32.5 pounds

      2004 Gibson ’61 SG reissue > Monkeymatic Fiddy V3 > Shure SM57 > MOTU 828mk3 > no effects, no compression > MP3 at 192kbps